Chladni plate cymatics simulation

In the 1780s Ernst Chladni drew a violin bow across sand-covered metal plates and watched the sand form intricate patterns. Each pattern is a mode of vibration, and the sand gathers where the plate stays still.

Interactive, free and runs in your browser. Part of the Acoustic Physics simulations.

What you will see

A square plate covered in sand vibrates in one of its natural modes. The grains are thrown off the moving regions and collect along the nodal lines. Tap a tone pad to switch modes, hear the frequency, and watch the sand rearrange into a new figure.

Try this

  1. Step up through the modes and watch the patterns get more intricate.
  2. Use the microphone mode and sing to drive the plate.
  3. Compare the lowest and highest frequency patterns.

Common misconception

The sand does not show where the plate vibrates most. It shows the opposite: the nodal lines where the plate stays still, because grains are bounced off everywhere else.

Exam-style question

Why do higher-frequency modes of a plate produce more complicated Chladni patterns?

Higher modes have shorter wavelengths on the plate, so more half-wavelengths fit across it. More regions vibrate in opposite directions, separated by more nodal lines, and the sand traces a more intricate figure.

Key equations

  • u = cos(nπX)cos(mπY) − cos(mπX)cos(nπY)
  • f ∝ √(m² + n²)

Curriculum

AQA A-level physics 3.3.1, IB Physics C.4.

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